It arrives like the first ray of sunlight in the spring, like the scent of budding leaves in the wind, the stirring of slumbering spirit. The very first word from the Fairelands, as they begin shifting and changing, stretching and awakening, growing from dreams into reality.
Throughout the whole long year the Fairelands have been dreaming. They try on shapes like we would clothes, mix sea with forests, cliffs with towers, magic with mundane. Spires reach up toward the skies like blades of grass in the spring, caves emerge as dug by ground-dwellers over millennia, corals twist into mer-castles, gardens bloom. Fairelands dream, dream and breathe magic.
Some shapes they keep, some they set aside. Some dreams go together, form a chain of worlds holding hands with natural ease like siblings. Some need to wait for their family of worlds longer still, gaining strength and spirit.
This year, this spring, this connection to our reality the Fairelands are taking the following forms:
Chaddul Ro (Searlait Nitschke)
An outpost of the Orcs of Chal Khizzur, Chaddul Ro stands on the edge of their territory. In the center of the outpost there is a beacon, rising above upon a tower guarded day and night by the orcs. It stands for strength; it stands against anyone who would douse it, a symbol to be seen to guide those from outside the protective barriers and walls back home. For the survivors that seek refuge from battle. It is believed that as long as the fires of the outposts are kept lit that there is always hope, sanctuary to be found and that the tribe remains strong.
Dawn’s Promise (Marcus Inkpen/Sharni Azalee)
A secret place between times where the old becomes reborn into the new. Majestic crumbling ruins dissolve into a sea of glorious foliage. A place where the lost energies of the past are converted into new life. Springs of life-giving water overflow. Flower petals and creative energy float on the breeze. This is the space between the exhale and the inhale. Full of hope and promise.
Egregore (Mayah Parx)
A fantastical thoughtform of serene darkness immersed in light, a place where expected purpose is relative and surrealism casts it shadow across the land, inhabited by egregors this fantasical place is born of the collective phantasmagoria of its people.
Fallen Sands (Sweetgwendoline Bailey/Eldowyn Inshan)
Steampunk in a desert landscape where the Orient and Arabia via for dominance. Exotic plants of alien origin turn the sands into an oasis of life where the turquoise water is the treasure of fountains and the infinite pearls of tan fall to mark the passge of time in this eternal city.
The Hill (Kilik Lekvoda)
A peaceful and beautiful village built into the rolling hills surrounding a small lake. Breathe in warmth, peace, and maybe a little pipe smoke, A place where friendships sprout as readily as the mushrooms beneath leafy green trees.
Mudrana (Alrunia Ahn/Luna Barak)
Everyone in Mudrana, the land of the lilypad, praises the godfrog – the legends tell that once the godfrog falls asleep, , the pond dries out, and everything dies. The frogs of Mudrana therefore croak and sing for their god to keep it awake to preserve the world from death.
Raven’s Perch (Kaelis Ember/lrriven)
A gothic dream in pale hues dotted with the tears of roses. A fairytale with thorns.
The Rose (Alia Baroque)
In the Garden of senses silent footsteps echo through rich vaults of opulence and decadence, searching for the perfect spot where a stolen kiss can be unseen and languid murderous thoughts hidden behind a mask. This Rose blossoms in April through your gaze that tells her how beautiful she is.
San Mora (Jaimy Hancroft/Eowyn Swords)
Once the center of pharmaceutical greatness, San Mora is now a ruin of its former self. Quarantined at the outbreak of a deadly contagion of its own making, the population was left to survive the best they could. Without law and order the city descended into chaos. The fires have long since burned out, and the city is being reclaimed by a hostile Nature. But all that is silent is not necessarily empty. There are still those who roam among the ruins of San Mora.
The Spirit Pool (Kayle Matzerath)
Since the beginning of time, The Spirit Pool has served as a resting place for weary adventurers and lingering souls that are not quite yet ready to cut their ties to the physical realm. Mermaids and other seafolk use the pool for gatherings and a constant flow of visitors keep it a popular place for trading.
In addition to the worlds dedicated to fantasy commerce, Fairelands produced five extra worlds to connect the markets.
Fairelands Junction (Saiyge Lotus)
Junction is the heart of the Fairelands, the world where the veil between the worlds is thinnest, the Portal World to the others, the First Link of the Chain.
Opal Flight (Haveit Neox/Lilia Artis) – Arts and Entertainment Sim
In Opal Flight we celebrate and indulge in the creative spirit, in theater and dance performances, in fantasy stories woven into movement and music and admire galleries of fantasy art.
Morbus (Kilik Lekvoda/Kayle Matzerath) – Fairelands Quest Sim
Morbus hosts this year’s challenge to all the brave adventurers: is your spirit strong enough to go through the Quest set in front of you?
Kakushi Pasu (Lokii Violet) – Literary Festival Sim
In Kakushi Pasu we gather to enjoy and delight in the stories that have been caught in words and placed in books to be escaped in, shared and cherished.
Anansi (Beq Janus/Polysail) – Worldling Cradle
This year the Fairelands bring the dream seeds with them, the outfits and shapes that they might have taken on, but did not. For now. Worldlings are Fairelands that could have been, Fairelands that might still be.
Fifteen worlds, fifteen links in the chain, ever-growing. The Fairelands can be seen on the Horizon of the Soul, almost visible. Almost here.
If you are a merchant wishing to bring your wares to the markets of Fairelands, please read on here:
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